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Outlander Season 7 Episode 4 Recap: A Most Uncomfortable Woman

Frozen in time: the ending of The Breakfast Club

By the close of John Hughes’s 1985 high-school comedy, the young students have found liberation from the stereotypical roles that have been suffocating them, but how long will the euphoria last?

Fußgängerbrücke verkürzt Wege im Bahnhofsviertel

Fußgängerbrücke verkürzt Wege im Bahnhofsviertel
lessentiel.lu - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from lessentiel.lu Daily Mail and Mail on Sunday newspapers.

Tessa Thompson and Ruth Negga make for a riveting pair in Passing

Tessa Thompson and Ruth Negga make for a riveting pair in Passing Mashable 1/31/2021 It takes a moment for Passing to reveal itself. At first, the screen is just a white blur, and only gradually do shapes and sound begin to emerge: shoes, voices, a street. Eventually, we re able to place ourselves in 1920s New York, and pinpoint Irene (Tessa Thompson) as our protagonist.  But the disorientation of those first moments never quite fades. Though it s based on a 1929 novella by Nella Larsen, and shot in the elegant black-and-white and boxy 4:3 aspect ratio of classic Hollywood, Passing feels thoroughly modern in its exploration of the blurred lines demarcating race, class, gender, and sexuality. Its old-fashioned aesthetic becomes another a way of pointing out that though things have changed since then, they haven t changed as much as we might want to believe. 

Blog: Trent Leslie Cooper ǀ The Trophy Collector — der Freitag

Blog: Trent Leslie Cooper ǀ The Trophy Collector — der Freitag
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