robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title. and the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black-and-white gore, the violence of the flash bulbs going off. when he designed the movie, marty, he purposefully didn t put a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing movies, but it s really not about that. it s about this man, jake, based on a real person, who s really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contr
You have the last emperor and you have rag time. and there was gandhi which came out in 1982. we must defy the british. a lot of people were rooting for et the extraterrestrial to win. but fantasy and sci-fi don t usually win oscars. what wins oscars is epic. amadeus is a meditation on genius. i actually composed some variations of a melody of your. really? which one? i m flattered. a funny little tune but it yielded some good things. the protagonist of the movie is not mozart but solieri who is deficient. he doesn t have great art.