A collection of essays and biographies takes an innovative approach to exploring the RA’s role in creating a canon of art founded in empire and enslavement
In “Entangled Pasts: Art, Colonialism and Change review – the most radical show in the RA’s history,” Laura Cumming (The Guardian) writes, “Royal Academy, London: The latest institution to confront its colonial past, the RA does so to enthralling effect, using the art and its subjects – spanning 250 years, from Turner to Lubaina Himid…