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History of photography - Early Evolution, Daguerreotype, Film

History of photography - Early Evolution, Daguerreotype, Film: Daguerre’s process rapidly spread throughout the world. Before the end of 1839, travelers were buying daguerreotypes of famous monuments in Egypt, Israel, Greece, and Spain; engravings of these works were made and then published in two volumes as Excursions daguerriennes between 1841 and 1843. Although Daguerre’s process was published “free to the world” by the French government, he took out a patent for it in England; the first licensee was Antoine-François-Jean Claudet. The first daguerreotypes in the United States were made on September 16, 1839, just four weeks after the announcement of the process. Exposures were at first of excessive

History of photography - Early Evolution, Daguerreotype, Film

history of photography - History of photography - Early Evolution, Daguerreotype, Film: Daguerre’s process rapidly spread throughout the world. Before the end of 1839, travelers were buying daguerreotypes of famous monuments in Egypt, Israel, Greece, and Spain; engravings of these works were made and then published in two volumes as Excursions daguerriennes between 1841 and 1843. Although Daguerre’s process was published “free to the world” by the French government, he took out a patent for it in England; the first licensee was Antoine-François-Jean Claudet. The first daguerreotypes in the United States were made on September 16, 1839, just four weeks after the announcement of the process. Exposures were at first of excessive

Captured history: A collection of milestones in early images of Japan

Dec 10, 2020 By the time February rolled into March this year, curator Keishi Mitsui had been working on an exhibition of rare photographs for over two years. Nearly 200 prints, gathered through months of painstaking negotiations with museums and archives all over Japan, were finally in place in the third-floor gallery of the Tokyo Photographic Art Museum (ToP). But just as the doors were ready to open, the threat of the novel coronavirus led the Tokyo Metropolitan Government to close museums and other cultural institutions. For 82 days, the halls of ToP stayed dark, the works went unseen. Before the museum could reopen, Mitsui had to take everything down to make way for the next exhibition.

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