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The Dig's romanticisation of an Anglo-Saxon past reveals it is a film for post-Brexit UK


Author:
Louise D Arcens
(MENAFN - The Conversation) In 1939, a 7th century Saxon ship was uncovered at Sutton Hoo, the Suffolk property of Edith Pretty. The discovery of this ship would transform modern understandings of early medieval England, shedding light on the sophistication of its funerary practices, its accomplished artistry and craftsmanship, and its wide-ranging connections across Europe and beyond.
The new Netflix film The Dig dramatises the uncovering of the stunning find. Based on John Preston s 2007 historical novel and directed by Australian Simon Stone, the film follows Edith (Carey Mulligan) who, pursuing her intuition about some large mounds on her property, engages Basil Brown (Ralph Fiennes) to excavate them. ....

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Screen time: 'The Dig' leaves some details buried


Screen time: The Dig leaves some details buried
By Jim Keogh
Basil Brown is how I envision a proper British archaeologist. He shovels dirt all day wearing tweed. His face is dirty, but not filthy. He is spectacularly articulate about the treasures that lie below the earth’s surface, but mute about the secrets hidden within his own heart. He rides a bike … everywhere.
He’s also the perfect man for the job of excavating a massive mound of soil and grass at Sutton Hoo, one of about a dozen dotting the countryside estate owned by Edith Pretty, a widow and single mother. Edith urges Basil to work quickly, since time is the enemy. It’s 1939 and storm clouds are gathering over Great Britain. Soon, all resources and manpower will be employed in the battle against Germany. ....

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