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<p>The classic works of art history tell a story of great artists, overwhelmingly European and male. The author&#39;s new history refocuses the narrative on the diverse networks of creators through which art is made &ndash; networks crossing lines of geography and including women artists and artists of color.&nbsp;</p>
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United States , Johann Winckelmann , Lee Krasner , Bonnie Greer , Mark Rothko , Guan Daosheng , Kublai Khan , Ernst Gombrich , Sofonisba Anguissola , Elisabetta Sirani , Guido Reni , Romare Bearden , Norman Lewis , Jackson Pollock , Jacob Lawrence , Photo National Archives , Abraham Lincoln School , Records Administration , Easel Paintinga Devotional Panel , Mongol Court , Black History , Little History , Easel Painting , Devotional Panel , King Philip , Great Migration ,

<p>The classic works of art history tell a story of great artists, overwhelmingly European and male. The author&#39;s new history refocuses the narrative on the diverse networks of creators through which art is made &ndash; networks crossing lines of geography and including women artists and artists of color.&nbsp;</p>
....

United States , Johann Winckelmann , Lee Krasner , Bonnie Greer , Mark Rothko , Guan Daosheng , Kublai Khan , Ernst Gombrich , Sofonisba Anguissola , Elisabetta Sirani , Guido Reni , Romare Bearden , Norman Lewis , Jackson Pollock , Jacob Lawrence , Photo National Archives , Abraham Lincoln School , Records Administration , Easel Paintinga Devotional Panel , Mongol Court , Black History , Little History , Easel Painting , Devotional Panel , King Philip , Great Migration ,

Book extract | The day Anthony van Dyck received 'wise advice from the words of a blind woman'&#x2014;the 17th-century artist Sofonisba Anguissola | The Mirror and the Palette: Rebellion, Revolution and Resilience


Until very recently, the idea that women have always made art was rarely cited as a possibility. Yet they have, and of course continue to do so, often against tremendous odds and restrictions, from laws to religion and convention, the pressures of family and public disapproval, writes Jennifer Higgie in her illuminating new study dissecting why women have been largely shut out of art history (The Mirror and the Palette: Rebellion, Revolution and Resilience: 500 Years of Women’s Self-Portraits
).
Higgie s clever thesis looks at self-portraits as a springboard, giving fresh insights into brilliant artists such as Frida Kahlo, Loïs Mailou Jones, Amrita Sher-Gil, Suzanne Valadon, Gwen John, Artemisia Gentileschi and Paula Modersohn-Becker. The extract below is from the chapter “Easel”, which focuses on the Italian artist Sofonisba Anguissola (around 1532-1625), a prolific self-portraitist and, during her lifetime, one of the most famous artists in Europe. Hig ....

Artemisia Gentileschi , Sophonisba Anguissola , Paula Modersohn Becker , Frida Kahlo , Sofonisba Anguissola , Catherine Fitzgerald , Mailou Jones , Van Dyck , Suzanne Valadon , Gwen John , Anthony Van Dyck , Jennifer Higgie , Emanuel Filiberto , Easel Paintinga Devotional Panel , Amrita Sher Gil , Lomellini Palace , Easel Painting , Devotional Panel , Picture Art , Alamy Stock , National Trust , Italian Sketchbook , British Museum , ஃப்ரிடா கஹ்லோ , கேத்தரின் ஃபிட்ஸ்‌ஜெரல்ட் , வேன் சாயப்பட்டறை ,