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Those people. and if anyone thinks i m going to pull my forelock and curtsy to this mr. nobody were you discussing mr. crowley? with downton abbey you have this wonderful show that is strangely old-fashioned but with these modern ideas of soap opera. you must be mad. i am. i am in the grip of madness. i think the turning point for people in downton abbey is one of the early episodes where mary sleeps with this man who is visiting downton, and then he drops dead in the bed, and they have to figure out how to get him out and keep it under wraps. mama! in the traditional masterpiece world, that is not what you would see on a show like that, and i think that is what really drew people in. it s a singular vision of julian fellows and a lot of different wonderful actors just making it work. and of course i ll have the weekend. we ll discuss this later. we mustn t bore the ladies. what is the weekend? it s a fantasy, of course. ....
Welcome to downton. [david] downton abbey goes all the way back to upstairs downstairs, the tv series that launched pbs masterpiece theater. welcome to downton. downton abbey goes all the way back to upstairs/downstairs, the tv that launched pbs masterpiece theater. downton abbey is about the aristocrats who lived upstairs and the people who live downstairs and are working for those people. and if anyone thinks i m going pull my fur lock and courtesy to this mr. nobody were you discussing mr. crowley? with downton abbey you have this wonderful show that is strangely old-fashioned but with these modern ideas of soap opera. you must be mad. i am. i m in the grip of madness. i think the turning point for people in downton abbey is one of the early episodes where mary sleeps with this man who is visiting downton, and then he drops dead in the bed, and they have to figure out how to get ....
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i think that the biggest shot we took was the 60s commitment on the crown. nobody knew back then how it would play out. if you go back to season 1, and you have claire foy playing that character so iconically, the last thing you want to do is start all over again. but then, boom, it s olivia colman, and it s phenomenal. there is connectivity you can see in the performances. it doesn t feel like there is somebody else stepping into the role. you really feel like you re getting to know the queen in a way you could not possible do were it not for the show. with downton abbey and the crown, we did have this sort of british mania. we ve got ourselves a serial killer. love those. there is always something to look forward. to. you have you these beautiful people having tea and talking calmly in pleasant accents. and of course they have problems. that s what s so interesting to us about it, right? the most privileged people still have problems. what do you want to do? i want ....
Going to put it to sleep now for another 3,000 years. and hanging in the air, the legend of a pharaoh s curse on those who dared to enter the tomb. the newspapers named five men as its victims among them, lord carnarvon himself. historians, though, have a very different explanation. carnarvon had struck this exclusive deal with the times and only they had access to the original images, and the other newspapers were finally also in the position to create their own story, finally. so maybe that s the first example of fake news. i always wondered what it was like to live through a global media event. in some ways, downton has been another media global event and, again, this house is at the centre of it, this castle. the pharaoh s treasures are back home where they belong, but the story alone is enough to capture new audiences. it s just really cool how the people from back then, without as many tools as we do now, ....