Day. And innovation station. With more and more young people swapping Higher Education for lower debt, well visit a oneofakind place where students earn sixfigure salaries without the high cost of college. We begin with a look at todays eye opener, your world in 90 seconds. Everybody, back the fires coming up. Im overwhelmed. Depressed. We lost our barn. We lost our pump house. Fastmoving wildfires deaf straight california. Weve never had more resources than we do today. Reporter ruled the congressional impeachment inquiry is legal. No crimes. Theres an investigation in search of a crime. Its been going on for longer than im in office. Reporter Rudy Giuliani leaving two apparently accidental voice mails on a reporters phone talking about needing money and slam could the bidens. Another example of rudy i thinking about a loose cannon. The continuing fallout from the nbc sexual scandal. Rachel maddow said the company is releasing former staffers from nondisclosure agreements. Among the r
straight after hardtalk. welcome to hardtalk. i m stephen sackur. today, i vejourneyed to the south coast of england to meet one of the great women pioneers of photo journalism, marilyn stafford. she was born in the united states, but she moved to paris where she became the protege of the brilliant cartier bresson. and like him, she loved to capture intimate portraits of ordinary people. she s worked in war zones and on fashion catwalks. and now, at 93, her work is being admired by a new generation. so, what gives her pictures their power? marilyn stafford, welcome to hardtalk. thank you. let s start way back. you trained as an actress, you spent a while as a nightclub singer, and yet you really found your creative voice in photography. what was it about photography that really reached into your soul? i have been called an accidental photographer, because i really did not set out to do the photography at all. the photography was something that was just there. when i was a chi
had a permit to do so. speaking before hearing the culture secretary s views, the greek prime minister, who is facing an election, warned voters return was not imminent. translation: if the greek people trust us again, - i believe we could achieve this target after the elections, with full respect, of course, to the obvious red lines that all greek governments have posed. one red line could be accepting the sculptures back on loan. but the law prevents the british museum from returning ownership to greece, even if it wanted to, unless the culture secretary changes her views, for now, a short term loan looks like the only option on the table. katie razzall, bbc news. time for a look at the weather. rain, rain, more rain. sorry, everybody. look at how we closed out the day in somerset. and look at where the rain is at the moment. it s pushing in from the south west. the wind is going to strengthen as well, gale force gusts overnight. the heaviest of the rain at the moment is ac
The established status of war photography as a subset of documentary supports our reading of such photographs as truthful and neutral depictions. This relationship is a result of how documentary photography has developed and circulated over the years and how these photographs have been instrumentalized within the press. However, what happens when prevailing aesthetics shift?
These documentaries follow Yugoslav president Tito’s cameraman, who was sent to film liberation wars in Africa and Asia as part of Yugoslavia’s global anti-colonialist push