Nathaniel Dorsky and Jerome Hiler are returning to New York. Partners in life and cinema for nearly sixty years, this month, MoMA and Anthology Film Archives will present a panoply of screenings of their experimental, personal, and mostly silent films—spanning from their earliest endeavors of the 1960s when they were immersed in New York’s cross cultural artistic bloom, to more recent poetic transmissions from their perch in San Francisco.
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I THE DOMINANT TREND WITHIN the American avant-garde tradition has been the evolution of the subjective cinema. There is strong evidence of a shift in the late 1950s from the…
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