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Southern California-based Artists, Scientists, Engineers, and Creators Make Their Impact at SIGGRAPH 2023

Southern California-based Artists, Scientists, Engineers, and Creators Make Their Impact at SIGGRAPH 2023
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United statesLos angeles convention centerLawrence leeDouglas ellisonDavid chowDlun wongRuby gillmanKai husenChris michaelYasser hamedJeff sullivanTim kashaniAlberto luceSimon hudsonJulia thompsonAndre pradhana

Southern California-based Artists, Scientists, Engineers, and Creators Make Their Impact at SIGGRAPH 2023

/PRNewswire/ SIGGRAPH 2023, the premier conference and exhibition on computer graphics and interactive techniques, marks its 50th year of breakthroughs and.

United statesChristopher sepulvedaDavid chowDlun wongChris michaelNathan devlinMartin luther king jrDouglas ellisonLawrence leeAlberto luceTim kashaniJulia thompsonYasser hamedSimon hudsonShane griffithJeff sullivan

OICR funding to help five research projects take the next step toward advancing cancer care

Five Ontario-based research projects will take the next step toward advancing cancer care in the province thanks to funding from the Ontario Institute for Cancer Research (OICR).

New zealandGeoffrey fongMonika krzyzanowskaLaszlo radvanyiEmily hendersonDlun wongAmbika parmarHarriet feilotterAlexander louieCancer centreUniversity health networkQueen universitySunnybrook research instituteUniversity of waterlooPrincess margaret cancer centreImplementation laboratory

Malaysian animator D Lun Wong helped create a pasar malam for Raya And The Last Dragon

When you watch the South-East Asian-inspired Disney movie Raya And The Last Dragon, pay close attention to the scene where the titular heroine visits the land of Talon. If that busy city of traders reminds you of a pasar malam, that’s because it WAS actually based on the bustling night and floating markets that are commonly found all over South-East Asia. In fact, one of the people who was responsible for making Talon look like a pasar malam is Malaysian crowd artist D’Lun Wong. As a crowd artist on the film, Wong’s job is to populate the background of each scene with, well, crowds, of not just people, but animals, creatures and so on.

Pulau pangkorSungai siputLos angelesSoutheast asiaDlun wongRhythm and hues studiosMickey mouse clubDreamworks animationSouth east asian inspired disneyRaya and the last dragonWalt disney animation studiosSony picture imageworksLola visual effectsMethod studiosRaya andLast dragon

Life Beneath Hollywood s Bamboo Ceiling

March 12, 2021 7:00 AM Laura Wong with one of the costumes from Seppuku, a short film she costume-designed in 2016. (Courtesy of Laura Wong) Since June 2020, we ve asked for your stories about how race and ethnicity shape your life and and published as many of these stories as we can. We call this year-long effort Race in LA. Click here for more information and details on how to participate. By Laura Wong I work in the film industry, in costumes. I remember sitting in a meeting a few years ago, casting extras for a major feature film. We were going down the list of scenes, all very routine, discussing what type of people should be in the background for each one: A 50-50 male-female split at the café no problem. Older crowd at the charity benefit, fine.

United statesHong kongUnited kingdomPearl riverSilver lakeSan franciscoDwayne wongSuttirat larlarbGeorge floydAlaura wongRuthe carterLos angelesLaura wong dollyDlun wongSueko oshimotoArjun bhasin