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Fringe movies such as horror and documentary are increasingly turning to digital releases. It allows for creative freedom but doesn’t easily pay the rent ....
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Ratings info(May contain spoilers) There is strong language ( f k ), as well as milder bad language such as bitch , pussy , dick , piss , ass , bastard , balls , shit and God . A man snorts cocaine on several occasions. A man is informed that, as an act of spite, his drinks have been laced with heroin in an attempt to get him addicted to the drug. There are verbal references to drug misuse, including an implication of steroid abuse. Two women perform oral sex on a man in undetailed fashion. There are also strong, crude sex references, including an image on a phone of a woman showing her buttocks as she bends over in a sexualised pose. ....
Last modified on Wed 28 Apr 2021 08.06 EDT Itâs to debut director Yavor Petkovâs credit that, with his coke-hoovering Balkans wideboy Danny, he has created an extremely annoying cinematic character to rival Steven Stifler of American Pie, Jim Carreyâs Cable Guy and Jar Jar Binks. Petkov however, has done it on purpose â and his mockumentary about a hipster film crew following around this smalltown councillor-cum-petty mafioso, played by Dimo Alexiev, blossoms into a deeply uncomfortable viewing experience. The set-up is this: Danny takes Susan (Kate Nichols) and her British crew under his wing to show them around his Bulgarian town. Ostensibly taking part in a documentary on money-laundering, this mean-faced braggart has no shame and operates an access-all-areas policy: they film him berating the local âpeasantsâ, scope out the chocolate factory heâs planning, and watch him bully a bank official. If they didnât already know theyâ ....
(The article continues below - Commercial information) Danny examines the idea of corruption, how it bends rules and how it benefits only a few, harming many others in one way or another. Even the film’s visual style, a homage to the Belgian classic Man Bites Dog (read more in Petkov’s interview), and premise become an analysis of corruption in a more general sense, as we follow a film crew led by a British journalist ( Kate Nichols) who has been promised an exposé on money laundering by Bulgarian small-town councillor and entrepreneur “extraordinaire” Danny ( Dimo Alexiev). The only problem is that as soon as Danny sees the camera, his own plans for the shoot take centre stage, with demented dreams of making a film that will take Hollywood by storm. ....