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Is everything fine? Westmoreland Museum program delves into reality

Is everything fine? Westmoreland Museum program delves into reality
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Spotlight: Special Delivery | Pittsburgh Magazine

Theater companies have wrestled with the question of what does and does not qualify as theater.
Does it need a stage? An audience? What’s the inherent nature of the artform?
For much of the 20th and early 21st century, adventurous companies nudged at those borders. Then, 2020 made the question much more relevant; the idea of gathering audiences in front of physical stages was a non-starter in the face of COVID-19.
For most, that change meant turning screens into stages, finding innovative and engaging ways to present theatrical works digitally.
At the first Post Theatrical theater festival, however, digital presentations aren’t enough. Companies participating in the innovative, global festival have looked past the screen all the way to the mailbox. ....

United States , Shaunda Mcdill , Leahck Lewis , Kim El , Karlac Payne , Liveness Lab , Liveness Lab How Do , Black Mary May , Post Theatrical , Realtime Interventions , Molly Rice , Orchard Project , New York Based , Demaskus Theater , Black Mary , Handmade Arcade , Milia Ayache , ஒன்றுபட்டது மாநிலங்களில் , கிம் எல் , போஸ்ட் நாடக , றேஆழ்டிமே தலையீடுகள் , மாலீ அரிசி , ஆர்சர்ட் ப்ராஜெக்ட் , புதியது யார்க் அடிப்படையிலானது , கருப்பு மேரி , கையால் செய்யப்பட்டவை ஆர்கேட் ,

The woman behind Pittsburgh's Demaskus Theater Collective

“The best place to be is at the intersection of art and faith.”
(Photo by Lindsay B. Garvin)
Shaunda Miles McDill, who founded the Pittsburgh-based Demaskus Theater Collective in 2005, embodies a merger between art and faith. Demaskus’s mission is to make known the messages of the marginalized through quality theatrical productions and presentations. Information on productions is at demaskus.com.

How did you come to form Demaskus Theater Collective?
Having studied African and African American studies and theater, and being a person who relished in the study of the Bible, I believe I found the point of intersection with God’s call to “demask us.” I suppose I was always struggling with the truth I knew of the history of enslaved Africans in America, always trying to reconcile that with the freedom we are told we have in Christ. ....

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