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Transcripts For DW Shift 20240707



men that usually get a lot more roles. let s take a look at last year s most successful films. 85 percent had more men than women acting in them. it s a man s world. and what about people with disabilities? all people with different cultural backgrounds, all the l, g, b, t, q plus community. the big streaming providers have a more diverse selection. on netflix for instance, there are more women in lead roles than men. no g, b, t q plus topics like in the series, sex education have proved successful and there s a higher representation of minorities to what streaming has done is really break down barriers. so i can import content. that s the same experience, or that i didn t even know about my experience, but i can get exposure to so much more even beyond my local market. and so that is really powerful. it s extremely important that viewers can identify with their heroes on screen. and let s be honest, so far, most series have been made for people like me, white people, f ....

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Transcripts For DW Special Program 20240707



i don t want to, you know, to leave a really want live content anyway. a you why indiana with a i got a with hunger pointing to leave them out with. 6 me one hello and welcome from dw is global media forum in bond. my name is karen homestead, as foundations are being shaken all over the globe. d w culture has chosen to look to sub saharan africa where the creative scene is positively booming and attracting, increasing international attention. but this incredible wealth of artistry is too often under cut by a lack of funding, lack of infrastructure, conflict, or even oppressive political regions. which means that artists have some very tough decisions to make, to stay or to go. to what extent can creative industries foster change and development in their home countries and how can they have maximum impact on we ve gathered a group of creatives from africa and the african diaspora to discuss these questions. and these are my guests. roberts, shaggy lannie, sent tom mo, be ....

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