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Music Reissues Weekly: Jon Savage's The Secret Public - How The LGBTQ+ Aesthetic Shaped Pop Culture

Music Reissues Weekly: Jon Savage's The Secret Public - How The LGBTQ+ Aesthetic Shaped Pop Culture
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United Kingdom , San Francisco , United States , City Of , David Bowie , Lou Reed , Polly Perkins , Polly Perkins Coochi , Sylvester Stewart , Bob Crewe , Joe Meek , Larry Parnes , John Leyton Johnny , Patrick Cowley , Andy Warhol , Tom Robinson , Linder Sterling , Jon Savage , Club Louise , Little Richard , Blue Men , John Leyton , Velvet Underground , Family Stone , Abaco Dream , Dancin Part ,

Pet Shop Boys to hold intimate "in conversation" event at iconic Manchester venue

Pet Shop Boys to hold intimate "in conversation" event at iconic Manchester venue
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The Who Sell Out: still a searing satire on pop's commercial breakdown | The Who


Last modified on Mon 26 Apr 2021 06.04 EDT
These days, we think of the period between 1965 and 1967 as one of white-hot musical progress, a dizzying three-year period during which innovation followed innovation, a succession of totemic albums and singles were released and pop music changed irrevocably. But, as Jon Savage’s superb book 1966: The Year the Decade Exploded made clear, not everyone at the time was impressed with how things were going. Savage’s research revealed a succession of contemporary naysayers, devoted to “ringing the death knell” as he put it: 1966 – The Year Pop Went Flat was noted music journalist Maureen Cleave’s assessment of 12 months that had seen the release of Revolver, Blonde on Blonde, Reach Out (I’ll Be There), Eight Miles High, It’s a Man’s Man’s Man’s World and 19th Nervous Breakdown. ....

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