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Lorraine Schwartz, Beyoncé's Go-To Jewelry Designer, Launches Emerging Designers Diamond Initiative

Courtesy
Lorraine Schwartz is normally frantic this time of year, prepping for awards season and dressing her celebrity pals in megawatt jewels worth millions. She’s the indisputable go-to source for A-listers when they want to make a dramatic entrance, like when Beyoncé showed up at the Grammys in a red sequin dress and a 400-carat diamond necklace worth $12 million, or when Blake Lively appeared at the Met Gala in a goddess-like halo with 100 carats of diamonds.
Those entertainers didn t just borrow the jewels; they became her friends and collaborated on image-making looks. And even when other big jewelry houses offered them big bucks to wear their designs many of the celebrities remained loyal to Schwartz, who says she never pays them. Time and again, the designer has created custom-made, jaw-dropping pieces, often with hundreds of carats of spectacular gems and just a few days notice. ....

Pharrell Williams Lorraine Schwartz , Kelly Rowland , Jason Rembert , Christopher Polk , Blake Lively , James Devaney , Tina Knowles , Nicole Chapoteau , Deborah Needleman , Pharrell Williams , Lorraine Schwartz , David Kellie , Catholic Imagination Costume Institute Gala , Courtesy Emerging Designer Diamond Initiative , Designers Diamond Initiative , Natural Diamond Council , Met Gala , Emerging Designers Diamond Initiative , Chime For , Getty Images , Vanity Fair , Heavenly Bodies , கெல்லி ரோலண்ட் , ஜேசன் றெம்பெர்ட் , கிறிஸ்டோபர் போல்க் , பிளேக் கலகலப்பான ,

Addiction, Nampeyo and Other Letters to the Editor

Addiction, Nampeyo and Other Letters to the Editor
Nampeyo, a Hopi-Tewa potter, painting designs on pottery, circa 1900. In his new book, “Craft,” Glenn Adamson discovers “making” in every aspect of our history, framing it as integral to America’s idea of itself as a nation of self-sufficient individualists.Credit.Edward S. Curtis/Library of Congress
Feb. 5, 2021
To the Editor:
Although I appreciate Deborah Needleman’s review of Glenn Adamson’s “Craft: An American History” and its call to recognize the contributions of “Indigenous people, African-Americans, women and the working class,” an addendum should be made to the caption of the photograph that accompanies it. ....

United States , Deborah Needleman , Caroline Jean Fernald , Museum Of Art , Glenn Adamson , Native American , Metropolitan Museum , Georgiao Keeffe , ஒன்றுபட்டது மாநிலங்களில் , கரோலின் ஜீன் ஃபெர்னால்ட் , அருங்காட்சியகம் ஆஃப் கலை , க்ளென் ஆடம்சன் , பூர்வீகம் அமெரிக்கன் , பெருநகர அருங்காட்சியகம் ,