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n+1 | n+1 is a print and digital magazine of literature, culture, and politics.

N+1 is a print and digital magazine of literature, culture, and politics published three times yearly. We post new online-only work several times each week and publish books expanding on the interests of the magazine. ....

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Our Godard | Issue 44 | n+1 | Blair McClendon

Godard always seemed to be asking What is a movie? What can it do? knowing that he would never find a satisfying answer, forever in pursuit of what was still beyond the grasp of his own prodigious powers. ....

New York , United States , Republic Of , San Diego , Pierre Overney , Anna Karina , Anne Marie Mi , Jean Pierre Gorin , Jean Paul Belmondo , Jean Luc Godard , Jane Fonda , Guillaume Anne Wiazemsky , Yves Montand , Louis Aragon , Alfa Romeo , Dziga Vertov Group , Northrop Grumman , Google Street View , Trojan Women , Image Book , Anne Wiazemsky , Every Man , Antoine De Baecque , Dead People Rule , In Memoriam , Issue 44 ,

Introduction | Issue 44 | n+1 | The Editors

For better or worse, dead people do rule. They rule because we love them, and they rule because, like many people over 65 today, they were late to retire and reluctant to surrender their reign. ....

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Miyake's Layers | Issue 44 | n+1 | Haley Mlotek, Su Wu, hannah baer, Nicole Lipman

Yesterday’s Pleats are in tomorrow’s seafood (microplastics, it seems, tend to concentrate in mollusks like scallops, mussels, and oysters, fancy girl food and treif alike). Of all the myriad toxicities of microplastics, I was most tickled to learn that they are estrogenic and can lower sperm count; the red-pilled among us might argue that the Pleats themselves made me trans. ....

New York , United States , Los Angeles , Su Wu , Zaha Hadid , Jun Mitani , Fusae Ichikawa , Irving Penn , Hettie Judah , William Forsythe , Rachel Tashjian , Thich Nhat Hanh , Diana Budds , Lucie Rie , Haley Mlotek , Liliane Lijn , Issey Miyake , Ingrid Sischy , Geoffrey Beene , University Of Tsukuba , Pleats Please , Tim Blanks , Hubert De Givenchy , World Design Conference , Steve Jobs , Lithuanian Olympic ,

You Don't Want to Know This? | Issue 44 | n+1

Ehrenreich’s work has always acknowledged that power operates at the intimate level, which is part of what makes it difficult to resist. To engage in political struggle is not only frightening, it is painful, because power is not just out there: it is also a voice in your own head projection, inner fear. This is a distinctively feminist insight and not by coincidence. ....

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