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The Film Stage's Top 50 Films of 2020



Thank you for the days / those endless days, those sacred days you gave me” So begins the classic 1968 single by the Kinks, and Tsai Ming-Liang has an apposite poster tagline here if he needs it. But altering any one element of this immaculate comeback feature––say, putting this very track against the closing credits––would be heresy, especially when it already contains a beautiful use of diegetic music in the theme from Chaplin’s
Limelight. I was lucky enough to see his tender, spellbinding new film at BFI London’s in-person, distanced screenings, and strongly hope others are afforded that pleasure when things open again in 2021––when it will most certainly appear on TFS’s list for the second year running. – ....

New York , United States , Republic Of , City Of , United Kingdom , Lovers Rock , Cape Verde , Marion Davies , Harvey Weinstein , Catarina Vasconcelos , Paul Thureen , Hall Frederick Wiseman , Alice Winocour , Nobuhiko Obayashi , Viola Davis , Hopper Welles , Ma Rainey , Llorona Jayro Bustamante , Brian Dennehy , Dan Sallitt , Jessie Buckley , Gerardo Zave Christian Vasquez , John David Washington , Greg Hsu , Chung Moog Honga Sun , Qin Samantha Ko ,

Don Hertzfeldt on World of Tomorrow


▶︎ All three episodes of
World of Tomorrow are available to rent or buy (via Vimeo) at bitterfilms.com.
By now, Don Hertzfeldt’s hapless cartoon stick figures are as distinctive a motif as Mark Rothko’s block panels, e e cummings’s lower-case poetry or Buster Keaton’s stone face; 25 years into his career, the Austin, Texas-based independent is animation’s laureate of mock-naive existential gallows humour and wonder. If his most plain-drawn student movies – Ah, L’Amour (1995), Genre (1996), Lily and Jim (1997), Billy’s Balloon (1998), mostly available on Hertzfeldt’s YouTube channel – led on the slapstick cruelty their maker could inflict on their twig figures, Hertzfeldt delighting in the power of his creative hand, his maturing works have opened up vistas of pathos and puzzlement around those long-suffering ciphers, at the same time as he embedded them in richer worlds of analogue animation technique. ....

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