Last train to memphis and careless love. Theyre here discussing wills new book colorization 100 years of black films in a white world. Publishers weekly calls it an engrossing account of a vital but often slated cinematic tradition full of fascinating lore and Dwight Garner writes for the New York Times. This is sweeping history, but in hagoods hands, it feels crisp urgent and paired down like a good movie. It pops from the start. Were so pleased to be hosting this event tonight. The digital podium is yours will and peter. Thank you. Thank you. Well, its great to be here with you. I wish we were here in person. And congratulations on the book. Weve known each other a long time. Weve known each other over 30 years. And all that time, you know, i feel like weve been not so secret santa asks. Yeah, last youve come out and declared yourself, and i wondered if you always had. Book like this in the back of your mind. Big book resting on the twin pillars of art and social history and storytel
Last train to memphis and careless love. Theyre here discussing wills new book colorization 100 years of black films in a white world. Publishers weekly calls it an engrossing account of a vital but often slated cinematic tradition full of fascinating lore and Dwight Garner writes for the New York Times. This is sweeping history, but in hagoods hands, it feels crisp urgent and paired down like a good movie. It pops from the start. Were so pleased to be hosting this event tonight. The digital podium is yours will and peter. Thank you. Thank you. Well, its great to be here with you. I wish we were here in person. And congratulations on the book. Weve known each other a long time. Weve known each other over 30 years. And all that time, you know, i feel like weve been not so secret santa asks. Yeah, last youve come out and declared yourself, and i wondered if you always had. Book like this in the back of your mind. Big book resting on the twin pillars of art and social history and storytel
Which was made into a 2013 film directed by lee daniels. He has been a correspondent for the Washington Post and the boston globe where he was a pulitzer finalist and he is currently bodeway visiting distinguished scholar at Miami University in oxford, ohio. Joining will on our digital stage this evening is acclaimed critic peter goralnick author of numerous books including his two volume Elvis Presley biography last train to memphis and careless love. Theyre here discussing wills new book colorization 100 years of black films in a white world. Publishers weekly calls it an engrossing account of a vital but often slated cinematic tradition full of fascinating lore and Dwight Garner writes for the New York Times. This is sweeping history, but in hagoods hands, it feels crisp urgent and paired down like a good movie. It pops from the start. Were so pleased to be hosting this event tonight. The digital podium is yours will and peter. Thank you. Thank you. Well, its great to be here with y
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at the sundance film festival. for all of us involved it felt like a dream. then a few weeks after that claudio had a routine check-in. again he had been in the country for 20 years and about seven years had been checking in with i.c.e. including two years under the trump administration without any incident. but near two weeks after the premier of the film when he went into an i.c.e. office in southern florida, they detained him. suddenly his lawyers didn t expect it. he didn t expect it. none of us did. and apparently officials told him orders came from higher up and so he was detained and all of us this dream turned into a nightmare. we rallied to try to stop his deportation. david duvernay, the film community, activists rallied. nothing we could do would stop the trump administration and simply a month later, they removed him from his home from his family and deported him. and a new chapter in this film began for us.