More than a century after the Titanic sank, its story is still told in exhibitions and shows. But those who went this week had a newer disaster to consider.
A Theater Photographer Senses a Broadway Bloom
For Sara Krulwich, who has shot productions for The New York Times for more than two decades, a series of recent assignments hinted at an industry revival.
From left, the monologuist Mike Daisey, an attendee at “Blindness” and the dancer Savion Glover.Credit.Sara Krulwich/The New York Times explains who we are and what we do, and delivers behind-the-scenes insights into how our journalism comes together.
On the first evening in April, Sara Krulwich, a New York Times photographer, visited the Kraine Theater in the East Village, where Mike Daisey, an actor and monologuist, was rehearsing a show for which the seating capacity would be limited to 22. The restriction, Mr. Daisey said, reminded him of his earliest days as a performer, when he was thrilled if even a handful of people were in the audience.