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Priscilla Jackman. Photo: Phil Erbacher.
DREADFUL things happen to women in opera – they might be immured in a mausoleum, run though by a jealous lover or left to die in a sack, but nowhere is their fate sealed more grimly than in Béla Bartók’s only opera, “Bluebeard’s Castle”.
Not any more, as a new production of four performances only by Opera Australia is about to show.
“There’s no other way to see ‘Bluebeard’ but as a misogynistic work,” says associate director Priscilla Jackman, who joins director Andy Morton in staging the show for OA.
“But looked at in the light of day during 2021, it feels very timely.” ....

Andrea Molino , Daniel Sumegi , Paul Bissett , Harvey Weinstein , Catherine Prosser , Phil Erbacher , Jeffrey Epstein , Priscilla Jackman , Charles Perrault , Judith Carmen Topciu , Andy Morton , John Rayment , Canberrans Sally Greenaway , Musica Viva , Opera Australia , Carmen Topciu , Point Turning , Catherine Mcgregor , ஆண்ட்ரியா மோலினோ , பால் பிசெட் , ஹார்வி வெய்ன்ஸ்டீன் , கேத்தரின் ப்ராஸர் , ஜெஃப்ரி எப்ஸ்டீன் , ப்ரிஸில ஜாக்மேன் , சார்லஸ் பெரல்ட் , ஆண்டி மோர்டன் ,