The event Murmuring Matter rehearses ways to be attentive, responsive and empathic to the material murmurings and presences within and around us that shape bodies and subjectivities
HISTORY IS WHAT HURTS, Fredric Jameson quipped forever ago. There is a lot of history in the Fifty-Eighth Carnegie International, which reminds us that art should hurt, too. Unlike the previous International, which exulted in “museum joy” as curator Ingrid Schaffner’s termed the epiphanic wonder that arises through experiencing artwork with other people the latest edition of North America’s longest-running survey of international contemporary art slices through our relentless positivity culture, delivering instead a manifesto on art as survival, as open wound, as an accumulation of absences. In
The Carnegie Museum of Art has announced the artists and collectives being showcased in the 58th iteration of its long-running show, which was also given a name.
In "Scales of Decay", Daniel Lie is showing a spatial installation consisting of large-scale drawings made with charcoal, watercolours, turmeric, pencil and linseed…