Humans migrate it is intrinsic to our nature. When we do migrate, we aren’t just transporting ourselves, but our culture as well. Thanks to the globalization wave that took place during the 20th century, migration was turbocharged, provoking cultural exchanges that generated new cuisines, mestizo graphic expressions, and new music genres. Music is possibly one of the cultural expressions that records such cultural exchanges with the greatest fidelity.
Many of you reading this will probably wonder what happens with international Latin music genres like Reggaeton, Latin Pop, Latin Rock, and so on, but in this last part of the series, we have chosen to analyze hybrid genres that have deep roots in traditional regional Latin music genres. Since we cannot go into detail for every genre that fits this description, we’ve chosen to analyze the evolution of a couple of Mexican and Colombian music genres, some of which we’ve already spoken about: Cumbia, the epitome of a regional musi
Regional Latin music on the rise: Colombian genres
In part 2 of Chartmetric’s exploration of Latin music’s regional rise, we dive into how global music streaming platforms are fueling the rise in popularity of genres like Vallenato, Colombian Popular Music, Cumbia, and Champeta throughout the world.
Guest post by
Francisco Toscano of Chartmetric
Colombian stars Paola Jara and Jessi Uribe are part of Colombia’s movement, as its regional music goes international.
As we explored in Part 1 of this series about Mexico, the explosion of digital platforms has not only propelled the careers of mainstream Pop and Hip-Hop acts, but it has also helped to bring the world’s regional Latin music genres into the limelight. Latin America, being such a big market economically, culturally, and geographically, has countless regional Latin music genres to offer; and the possibility of any of them crossing over to regional success is real. One country in particular has managed to become an