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How 'deaccession' became the museum buzzword of 2020


Part of a year-end series revisiting subjects of some of our most popular arts articles of the year.
For the art world, 2020 was the year that the Black Lives Matter movement spurred a deeper conversation about inclusion and equity, ultimately leading some museums to sell off works by certain artists usually white, often male ostensibly to diversify their permanent collections.
While deaccessioning pieces from collections is not unheard of, museums have historically followed ethical guidelines and invoked the process only when art is damaged or decided to be fake, or when it no longer fits their mission. But then COVID-19 came along. ....

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Museum of Latin American Art defends auctioning dozens of works from its collection


Museum of Latin American Art defends auctioning dozens of works from its collection
Deborah Vankin
© (Luis Sinco / Los Angeles Times)
A view of the galleries at the Museum of Latin American Art in Long Beach. (Luis Sinco / Los Angeles Times)
The Museum of Latin American Art, which put 59 artworks from its permanent collection on the auction block last weekend, defended the move Thursday as an attempt to diversify its holdings.
The works joined other objects donated to the museum by supporters specifically for the online auction, which consisted of 140 paintings, sculptures, prints, drawings and photographs. The sale, on the e-commerce site Invaluable, raised about $200,000 for MoLAA, less than half the high auction estimate of $474,000.   ....

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