John Hamilton Mortimer (1740-1779), Captain James Cook, Sir Joseph Banks, Lord Sandwich, Dr Daniel Solander and Dr John Hawkesworth, c. 1771, oil on canvas, nla.pic-an7351768
Seattle’s most beguiling sea creature was once feared and hunted and even wrestled for sport. But new research and a few surprising encounters are changing how we view them. A story in eight parts.
THE PORT OF PLYMOUTH in southwestern England is no longer listed among the scenic towns of the British Isles, although prior to World War II it would have
John Hamilton Mortimer and the discovery of Captain Cook
John Hamilton Mortimer (1740-1779),
Captain James Cook, Sir Joseph Banks, Lord Sandwich, Dr Daniel Solander and Dr John Hawkesworth, c. 1771, oil on canvas, nla.pic-an7351768
The National Library of Australia holds within its large collection of artworks a most intriguing eighteenth century painting, the bequest of Dame Merlyn Myer. A beautiful work in good condition, the painting is unsigned and lacks its original title. Early research into the painting revealed that it had hung unremarked in private collections for 150 years and then suffered a misattribution to Johann Zoffany which, while initially inflating its value in the art market, had obscured the painting’s true identity and significance. Rejection of the Zoffany attribution also cast doubt on the subjects Joseph Banks and Captain Cook and the date 1771