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explicit in recent months. it started with content that was basically images sexualising minors, but in a few recent months, he became very much more explicit, showing children in very, very sensitive and abusive pictures. 50 it is moving at sensitive and abusive pictures. so it is moving at a fairly fast paced, isn t it? how widespread is that? we found isn t it? how widespread is that? - found that the content what was shared actually doubled during the first quarter of 2023. and we saw a lot of cases in dark where forms and messaging app groups where people sell the content, sometimes thousands of pictures of children, and it is widespread, and we found more and more examples like this in the past few months. so more and more examples like this in the past few months. more and more examples like this in the past few months. so come i guess the big question the past few months. so come i guess the big question is, the past few months. so come i guess the big ques ....
why now and where will it lead? we ll speak to the national security council s john kirby about all of that straight ahead. plus, just three days away now, the final stretch for republican candidate in iowa. how they re hoping to get people to the caucuses with even a foot of snow potentially arriving. and it s not just in iowa, that snow is coming down hard across the midwest and the great lakes. we ll have a full forecast of what to expect there and across the country. hello on this friday, it is 10:00 eastern. i m ana cabrera reporting from new york. we begin with that breaking news, what could turn into a major escalation of the conflict in the middle east. the united states and the uk launching strikes against houthi targets in yemen hitting airports, military bases and weapons facilities. these strikes in response to weeks of attacks by the militants on commercial ships in the red sea, and now the houthis vowing to retaliate saying those involved will, qu ....
we re all excited the gang is back together this wednesday morning after a christmas holiday. a christmas break for each of us. it was a wonderful time. makes us all grateful for this job and we are all back together. feels good. steve: feels great. welcome back, brian. before yesterday. we were here, and griff jenkins was here as well through the entire holiday. hats off to him and everybody else who filled in the chair. brian: must have been tough for him to not surf. griff prefers to surf. steve: i was talking to griff yesterday because is he going to go down today to south florida to go surfing. and i told him the beaches are gone because of beach erosion over the last month. brian: you are kidding. steve: beaches are pretty much shot. lawrence: finally gets to celebrate and there is no beach. ainsley: still waves. brian: waves crash into land. just send you. steve: just smooths out. no roll. ainsley: y all, before christmas we saw the pr ....
cheering and applause. her stories often centre on oppression and brutality. most famously, her 1985 novel, the handmaid s tale, a dystopian vision of america, in which women are enslaved, now an emmy award winning television series. there s an eye in your house. in this episode of this cultural life, the radio a programme, she reveals her formative influences and experiences, and how, even in high school, her creativity was clear. i put on a home economics opera. it was about fabrics. can you remember how it goes? # fabrics need a swim in the suds. # it makes them feel just like new. # plink plink, plink plink. laughter. i want to make sure the mics are recording us. margaret atwood, welcome to this cultural life. thank you very much. happy to be here. on this programme, i ask my guests to choose the most significant influences and experiences that have shaped their own creativity, and your first choice is your parents. yes. tell me about your parents. well, first of a ....
cultural life, the radio 4 programme, she reveals her formative influences and experiences, and how, even in high school, her creativity was clear. i put on a home economics opera. it was about fabrics. can you remember how it goes? # fabrics need a swim in the suds. # it makes them feel just like new. # plink plink, plink plink. laughter. i want to make sure the mics are recording us. margaret atwood, welcome to this cultural life. thank you very much. happy to be here. on this programme, i ask my guests to choose the most significant influences and experiences that have shaped their own creativity, and your first choice is your parents. yes. tell me about your parents. well, first of all, they, um, were very innovative and able to improvise, because, of course, if you live in the woods and there aren t any shops, you have to be, and they were both very outdoorsy. but they also allowed us to make messes in our rooms and didn t make us clean them up. by messes, i mean p ....