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Love and kissing or something. graham: the clash, musically is the best of the lot. it doesn t sound like traditional punk, but it doesn t sound like anybody else but ththe clash eieither. but i have no fear cause london is drowning, and i i live by the river i never felt so much alike mattson: punk was, i think, a kind of wide umbrella, and that wider scene included people who werere a little e bit momore complexex in their musical performance style. people aren t gonna buy something that you call punk. they might buy it if you call it new wave. man: you hear r a lot of t that punknk rock thesese days. can we have your thoughts on that? i think it s better just to call it new wave, really. i think by defining it as punk, you re automatically putting a boundary around what s possible. and i think bands like talking heads are excellent. connelly: the talking heads was the ultimate college band and they did sophisticated, spiky music that reflected who they were. and it ....
Kikick out thehe jams, mother[bleleep] detroit, 1969 is where punk was originally born. it s all right the mc5, the motor city 5, and iggy and the stooges rerelease two pioneering albums that indicate that there s a new style of music coming back. it s a garage rock, it s minimalist, it s aggressive, it s loud, and it s very often obnoxious. let me kick out the jams yeah, kick out the jams i got to kick em out punk rock was so f ing scary to us because e here we arare withth our big m majestic sos, and hehere comes p punk wiwith their l like. connelly: the ramones get started as a reaction to everything else that s going on. people see them and they go, this is the answer. h hey, ho, lelet s go ....
That s all it is? it has nothing to do with the ego. all i know is it sells. what do you do? security. we don t need security here. let s go outside. we have people outside. auletta: leona helmsley was the wife of harry helmsley, one of the major much bigger than trump real estate developers in new york. i asked for something. i did not get it from you. i want it. you have nothing to do? connelly: leona helmsley, the queen of mean. the idea was that she was so mean because she wanted you to have a great experience in one of her hotels. really? seemed like she was just mean. oh, my. it s paradise. he stands here and he says i m taking inventory, i own this, i own this, i own this, and that one and that one and that one. he plays monopoly, but with real buildings. with real buildings. wallace: they bought this connecticut estate a year ago 26 acres, 28 rooms for just the two of them. and this building structure is just what? ....
What can we do? and that created the first major superstar benefit concert ever done. hanks: the concert for bangladesh was the granddaddy of all issue-themed concerts. and not only did you get george harrison, man, you got eric clapton. connelly: it got dylan out of hiding. it put two beatles back on the stage again. it was unparalleled at the time and it may still be unparalleled. [ cheers and applause ] a great deal of music of the 70s was people who had succeeded in the 60s finding new ways to express themselves in the 70s. man: have you got any idea why your group particularly has lasted as long as it has? because we stay together, i suppose. wolcott: you know, for a few years, the rolling stones had taken a lot of casualties. richards: even brian felt that he wasn t gonna be around that long. not everybody makes it, you know? wolcott: they were fighting for like, where do we secure our foothold now? ....