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Print On March 14, filmmaker Adam Mason, like virtually everyone else in Hollywood and across the planet Earth, was freaking out. With the worsening coronavirus crisis triggering lockdowns and blaring headlines around the country, a passion project Mason was set to direct for Blumhouse Pictures had shut down just five days into pre-production. He was worried about his wife and three young children, with whom he shares a two-bedroom duplex in L.A., and about his aging parents living 5,000 miles away in his native England. Having directed a string of low-budget horror films and thrillers with titles like “The Devil’s Chair,” “Blood River” and “They Come Knocking,” the 45-year-old Mason was now coming face-to-face with true fear. ....