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Fabian: Going to the Dogs review: Good versus evil in 1930s Berlin

I m Your Man wins big at the German Lola Awards

04/10/2021 - After being chosen as the German entry for the upcoming Oscars, Maria Schrader’s film has also won four Lolas, including for Best Feature Film

Fabian — Going to the Dogs Review | Hollywood Reporter

Life is an ugly cabaret, my friend. TWITTER Tom Schilling, Albrecht Schuch and Saskia Rosendahl play young friends in Berlin between the wars in Dominik Graf’s dramatic coming-of-ager. Three bright, talented young people in their 20s struggle to find their place in a rotten society, scarred by Germany’s defeat in World War I and menaced by the rising tide of Nazism, in Fabian Going to the Dogs ( Fabian oder Der Gang vor die Hunde.) This second screen adaptation of Erich Kastner’s now classic 1931 novel (the first was directed by Wolf Gremm in 1980) marks a stylistically daring attempt to capture the zeitgeist by director Dominik Graf, who returns to Berlin competition where his historical romance

Fabian – Going to the Dogs Review: 3-Hour German Bildungsroman Is More Exhilarating Than It Sounds

‘Fabian – Going to the Dogs’ Review: 3-Hour German Bildungsroman Is More Exhilarating Than It Sounds IndieWire 3/1/2021 Germany is on its postwar sickbed, and perched on the edge of self-destruction, in Dominik Graf’s epically sized yet intimately scaled, cracked picture of Weimar Berlin after WWI, and with omens of the next one creeping in. A 178-minute bildungsroman in the true sense, “Fabian – Going to the Dogs,” shot with primarily handheld digital camera and in the boxed-in Academy ratio, While perhaps padding its running time too robustly with strange and often even grotesque side characters, the movie ultimately falls squarely on Tom Schilling’s shoulders, the idealist of the title who chooses falling in love over ambition.

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