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Pasquarosa: From Muse to Painter

Remembered more as an artist’s model than a painter, Pasquarosa, this largely forgotten female artist, is brought back into the spotlight in this charmingly fresh and colourful exhibition

Modern, timeless, effortlessly avant-garde: Pasquarosa, at the Estorick Collection, reviewed

In February 1929, an exhibition by a young unknown female painter opened at the Arlington Gallery on Bond Street. This was not surprising in itself, given that the gallery specialised in lesser-known artists. More surprising was the fact that this artist was a woman – and Italian. As the critic Emilio Cecchi noted in the

Six Giorgio Preca letters, 1933-1936 – Giovanni Bonello

Letters throw some light on this Maltese modernist artist’s student life in Rome

A Painter's Search for Meaning

MASSIMODECARLO opens first exhibition connecting Milan, London and Paris with one show

MASSIMODECARLO opens first exhibition connecting Milan, London and Paris with one show Installation view of Portraiture One Century Apart at MASSIMODECARLO, London. Photo: Todd-White Art Photography. Courtesy MASSIMODECARLO. LONDON .-MASSIMODECARLO announced Portraiture One Century Apart, the gallery’s first exhibition connecting Milan, London and Paris with one show in three spaces at once. Starting in July 2021, MASSIMODECARLO London, Milan and Pièce Unique in Paris each present a selection of works by 1920s masters of twentieth-century art, face to face with twenty-first-century figurative artists. The exhibition creates a constellation of dialogues: 27 artists of different generations, from seven different countries - from the 1970s to the mid-1990s – grace the walls of MASSIMODECARLO’s three European outposts.