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Comhaltas Ceoltóirí Éireann, the fleadh and Mullingar

Comhaltas Ceoltóirí Éireann, the fleadh and Mullingar
westmeathexaminer.ie - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from westmeathexaminer.ie Daily Mail and Mail on Sunday newspapers.

Can the story of Dublin be told in a tweet?

Can the story of Dublin be told in a tweet?
rte.ie - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from rte.ie Daily Mail and Mail on Sunday newspapers.

Winnipeg braces for possible new pandemic restrictions coming this week

People in Manitoba are bracing for the possibility of added public health measures this week, after Chief Provincial Public Health Officer Dr. Brent Roussin suggested on Christmas Eve that change was on the way.

Confusion over parking permit scheme for roads around Wollaton Park

Confusion over parking permit scheme for roads around Wollaton Park It could be fully implemented as soon as next moth Retired Christine Longford, 71, pictured in Prkside, Wollaton. Our free email updates are the best way to get Nottinghamshire headlines direct to your inboxInvalid EmailSomething went wrong, please try again later. Subscribe We use your sign-up to provide content in ways you ve consented to and to improve our understanding of you. This may include adverts from us and 3rd parties based on our understanding. You can unsubscribe at any time.More info Thank you for subscribingWe have more newslettersShow meSee ourprivacy notice

Project MUSE - Avant-Garde Nationalism at the Dublin Gate Theatre, 1928-1940

summary In 1928, Hilton Edwards and Micheál mac Liammóir founded the Dublin Gate Theatre, which quickly became renowned for producing stylistically and dramaturgically innovative plays in a uniquely avant-garde setting. While the Gate’s lasting importance to the history of Irish theater is generally attributed to its introduction of experimental foreign drama to Ireland, Van den Beuken shines a light on the Gate’s productions of several new Irish playwrights, such as Denis Johnston, Mary Manning, David Sears, Robert Collis, and Edward and Christine Longford. Having grown up during an era of political turmoil and bloodshed that led to the creation of an independent yet in many ways bitterly divided Ireland, these dramatists chose to align themselves with an avant-garde theater that explicitly sought to establish Dublin as a modern European capital. In examining an extensive corpus of archival resources, Van den Beuken reveals how the Gate Theatre became a site of avant-

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