Article Contributed by conqueroo | Published on Sunday, July 25, 2021
Late style: You can only get there if you’ve been around long enough to have had an early and a middle one. Maturity, wisdom, refinement are its hallmarks. And having done things a certain way for a time, you might want to do them differently in order to arrive someplace new, someplace surprising.
With
Late Style,
Wesley Stace, the artist formerly known as John Wesley Harding, but before that as Wesley Stace, has done things differently. Having begun to put some new lyrics to music, in his usual way, singing to an acoustic guitar, he realized he was coming up with old solutions, reinventing a wheel he had already made, with chord progressions and melodies that worked as folk and pop songs but were not satisfying his desire for something fresh, something he’d be excited to listen to in 2021.
Power Pop Plus: A Look Back at 2020.and More
John M. Borack explores some of the best of 2020 and a brand new release from Matthew Sweet
Author:
Sweet s fifteenth solo effort is one of his finest in recent memory. Like Paul McCartney s
III,
Catspaw is a grower rather than an instant knockout: songs such as Give a Little, Challenge the Gods, Come Home, and At a Loss will sneak up on you and provide a guitar-fueled gut punch given half a chance. Speaking of which,
Catspaw is most definitely a full-on guitar record: Sweet handles all the six-string action here and does a helluva job, with the beefy sound harkening back to Richard Lloyd and Robert Quine s work on Sweet s 1990s releases. (Sweet handles all instrumentation himself here, save for longtime cohort Ric Menck s typically rock-steady drums.) Only one of the dozen tunes clocks in at longer than four minutes, and the relative brevity of the songs allows Sweet to say what he has to say, tear through a kickin guita