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Emily LaBarge on Tate Britain's rehang - Artforum International

THERE ARE MANY FORKING PATHS, in life as in art, through the social and political construct that is Britain. At Tate Britain, a rehang of the biggest collection of the nation’s cultural patrimony, from the Tudor period to the present, unfolds chronologically across thirty-nine rooms. Divided by the three-hundred-foot-long Duveen Galleries (which are always devoted to temporary commissions or displays), rooms to the west, whose walls are sumptuously colored in hues of deep blue, mahogany, emerald, purple, scarlet, indigo, span from 1545 to 1940. To the east, art from 1940 to today is set against ....

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Meena Ayittey Gets Frank About the Industry and Finding Inspiration in Fine Art


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The Great Guns director spoke to LBB about being an advocate for Black women, the issues facing the industry, and how she approaches film with a fine art eye
Meena Ayittey is an award-winning film director and screenwriter whose work doesn’t shy away from tackling difficult subjects or asking uncomfortable questions. 
She studied fine art at Central Saint Martins but soon became disillusioned with the categories her tutors wanted her to fit into. Today, she still finds inspiration in all things fine art, using its language to inform her visual style. Her latest project ‘Here We Are’, in partnership with Panasonic and Lumix, is a series of short films delving into the lives, desires, fears, and ambitions of 12 Ghanaian women.  ....

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