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The Self-Taught Artist Whose Work Tells the History of Modern Korea

Oh U-Am’s paintings depict working-class life in this century and last, yet seem to exist in the timeless space of allegory. ....

Kyongsang Namdo , South Korea , Soult Ukpyolsi , South Korean , Kim Haeju , Artforum Newgate , Qavavau Manumie , Busan Biennale , Yum Hejung , Museum Of Contemporary Art In Busan , Contemporary Art , Rising Wave , Choong Sup Lim , Korean War , President Roh Moo Hyun , Japanese Occupied Manchuria , South Jeolla ,

The Shin Collection's first Asian show set to open in Seoul

The Shin Collection will present the first Korean exhibition of the Shin Collection. From Toulouse-Lautrec, whom Picasso adored and whose energetic po ....

New York , United States , Soult Ukpyolsi , South Korea , Metropolitan Museum Of Art , Chung Chang , Tschang Yeul Kim , Dorian Gray , David Hockney , Henri Toulouse Lautrec , Oscar Wilde , Man Ray , Pierreuse Gabrielle , Hong Gyu Shin , Beauford Delaney , Toshusai Sharaku , Museum Of Art , New York Times , Museum Of Modern Art Mo , Shin Collection , From Toulouse Lautrec , Metropolitan Museum , Modern Art , Shin Gallery Charms , Surprises With , Motley Collection ,

Richard Tuttle and Choong Sup Lim at Pace | Seoul - Artforum International

Two-person shows are always a risk. Not every pairing is convincing. “How Objects Grasp Their Magic,” Pace’s juxtaposition of works by Richard Tuttle and Choong Sup Lim two artists of the same age and generation who come from starkly different contexts and traditions of figuration and representation seems at first a curious match. While its poster places Lim and Tuttle’s work side-by-side, the exhibition is split between two floors, each dedicated to a single artist. Despite this physical separation, a certain sensitivity resonates throughout. On the psychovisual level, both artists wield an ....

Shinyoung Chung , Richard Tuttle , Objects Grasp Their Magic , Choong Sup Lim ,