Two-person shows are always a risk. Not every pairing is convincing. “How Objects Grasp Their Magic,” Pace’s juxtaposition of works by Richard Tuttle and Choong Sup Lim two artists of the same age and generation who come from starkly different contexts and traditions of figuration and representation seems at first a curious match. While its poster places Lim and Tuttle’s work side-by-side, the exhibition is split between two floors, each dedicated to a single artist. Despite this physical separation, a certain sensitivity resonates throughout. On the psychovisual level, both artists wield an