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Making sure that you can adjust the plate lighting to match the cg lighting and vice versa, is a bit tricky at times. aside from the characters, we had to replace the entire environment. to get a rough idea of how render intensive this show was, the water especially, the shot where the dragon encases the beast and all the demons are feeding him to power him up, the water alone would have taken a single core processor 25 years to render. you can t outrun. ..who you really are. that is it for the short cut of this week s programme from la. the full length version is waiting for you on iplayer. don t forget, we live on social media on facebook, youtube, instagram and twitter at @bbcclick. thanks for watching and we ll see you soon. ....
It s still a bit tricky to make it feel not quite stage lit, you know, when you have an enclosed environment or a semi enclosed environment, making sure that you can adjust the plate lighting to match the cg lighting and vice versa, is a bit tricky at times. aside from the characters, we had to replace the entire environment. to get a rough idea of how render intensive this show was, the water especially, the shot where the dragon encases the beast and all the demons are feeding him to power him up, the water alone would have taken a single core processor 25 years to render. you can t outrun. ....
Environment, making sure that you can adjust the lighting to match the cg lighting and vice versa, is a bit tricky at times. aside from the characters, we had to replace the entire environment. to get a rough idea of how render intensive this show was, the water especially, the shot where the dragon encases the beast and all the demons are feeding him to power him up, the water alone would have taken a single core processor 25 years to render. you can t outrun. ..who you really are. and we ll find out soon whether shang chi has moved up from the shortlists to the list of five films which are nominated for the best vfx oscar. in the meantime, that s it from us from los angeles for this week. don t forget, we live on social media on facebook, youtube, instagram and twitter at @bbcclick. ....
It always starts with good intentions. we ve had a few of these on marvel shows where they shoot something and then, the story kind of changes a little bit so they more than once, we ve had to just roto the actors off the plates and replace it with an entirely cg environment. it s still a bit tricky to make it feel not quite stage lit, you know, when you have an enclosed environment or a semi enclosed environment, making sure that you can adjust the plate lighting to match the cg lighting and vice versa, is a bit tricky at times. aside from the characters, we had to replace the entire environment. to get a rough idea of how render intensive this show was, the water especially, ....
The cg lighting and vice versa, is a bit tricky at times. aside from the characters, we had to replace the entire environment. to get a rough idea of how render intensive this show was, the water especially, the shot where the dragon encases the beast and all the demons are feeding him to power him up, the water alone would have taken a single core processor 25 years to render. you can t outrun. ..who you really are. and we ll find out soon whether shang chi has moved up from the shortlists to the list of five films which are nominated for the best vfx 0scar. in the meantime, that s it from us from los angeles for this week. don t forget, we live on social media on facebook, youtube, instagram and twitter at @bbcclick. thanks for watching and we ll see you soon. ....