This proposal. Yeah, that is a new slide that just got put up except for the fact that looks identical to the previous slide. There was identical service delivery. There is identical entitlement optimization. There is identical relaying of choice back to the cable system and there was identical delivery of programming. So what is the difference . Desire to systems that work the same. The difference is one is close and one is so good. They have no choice today. So with the competitive box or app functions exactly like the box or act in the cable system forces you to rent today, then the protections for copyright and security are the same. That is required. Theres nothing in here that allows third parties to disaggregate cable content, sell advertising around it, you know . Theres a misrepresentation thats been made today with the assertion that this item does allow that, an assertion that it creates all kinds of opportunities for free riders. It takes the same product that goes through
Now. Most recently, what we have had is that entertainment piece. We have posted at the National Film festival starting last year from china with ministry support. We brought over six producers. They are bringing another group this march the National Film festival. In turn, we are looking at going over there. We had a great asset in tennessee with our music and film industry. Abigail has been working with china bringing music to tennessee and taking our focus is it going there. We are engaging in some of these activities going on unofficially and kind of crystallizing them and same these are true opportunities for crosscultural relationships developing business between the two. John i am mindful of time and i am afraid we have to wrap things up. Thank you so much for this rich discussion. We heard a lot about talent and development. We also heard about process. You need to align up all of the players internally to make sure you attract properly. We also heard about longterm partnership
Netflix's accessibility features for "All the Light We Cannot See," are both a notable step for disability representation and a model of accessibility in TV.