demands are unrealistic. let s demands are unrealistic. bring in our panel, elise la bott let s bring in our panel, elise labott and tom peck. hello to both. that start with you, tom. we are used to strike fear in the uk over the last 12 months or so, this one is a long one, though? it is the last 12 months or so, this one is a long one, though? the last 12 months or so, this one is a long one, though? it is and the government is a long one, though? it is and the government is is a long one, though? it is and the government is trying is a long one, though? it is and the government is trying to is a long one, though? it is and the government is trying to do - is a long one, though? it is and the government is trying to do its - is a long one, though? it is and the government is trying to do its best| government is trying to do its best to turn government is trying to do its best to turn the government is trying to do its best to turn the people who against the stri
was the most successful year ever forfemale musicians in the uk charts. data from the british phonographic industry revealed that women were at number one for 31 out of 52 weeks. the body s chair yolanda brown, says that streaming has allowed female artists to broaden their reach. women have been making music for many years music for many years and really impacful the music and it s lovely to see it in the figures. the streaming figures have doubled, double the figure of 2018, so you re seeing people are finding music more and unearthing music more and getting into enjoy more, which we have seen in the past year. let s begin our panel, elise, a great year for women artists in the uk and presumably worldwide as well because we obviously we are screaming that centre thing. yes. because we obviously we are screaming that centre thing. yes, i mean, screaming that centre thing. yes, i mean. look. screaming that centre thing. yes, i mean, look, here screaming that centre thing. yes, i mea
screaming that centre thing. yes, i mean, look, here in the screaming that centre thing. yes, i mean, look, here in the us - screaming that centre thing. yes, i mean, look, here in the us it- screaming that centre thing. yes, i mean, look, here in the us it was. mean, look, here in the us it was a year of woman, it was taylor swift, it was beyonce, it was olivia rodrigo, it was miley cyrus, a lot of these, you know worldwide sales, but certainly here in the us there were streams and concerts were very big and that kind of also contributed to it. what i thought was interesting in the reading about it in the uk, it was kind of going back to throwback albums that were really popular because of the streaming. here in the us, it was really about four or three artists, beyonce, taylor swift, love your rodrigo and maybe a few others. it definitely was a year of the woman. tom, the year the world of streaming having such an impact on music. it’s streaming having such an impact on music.