own caucus. after meetings that went well into the night, to midnight thursday, she is huddling with her democratic caucus today trying to coax progressives into voting for the bipartisan infrastructure bill based on a promise of a later vote on a larger package of social programs and a lot of money to combat climate change. the speaker and the president s legacies are on the line as well as control of the house. if they come up with nothing. but reaching agreement is a mystery. you asked me about whether i m willing to accept a number or not. there is no number on the table. i m not negotiating against myself. trying to come up with a framework. is an agreed upon framework enough? no. we need a vote. and that just happened with jayapal and aoc. we also have breaking news in the fight against the coronavirus. a major announcement from the drug company merck seeking emergency use authorization from the fda for a new antiviral drug that according to their trials reduces
william lai of the ruling dpp who is vowing to strengthen the island s ties with other democracies. the opposition party candidate who usually of the kmt says he will push for more dialogue. with china. gaining traction with younger voters. rupert wingfield hayes reports. taiwan elections are noisy, boisterous affairs. in front of the presidential building in taipei, supporters of the ruling dpp are hoping for an unprecedented third presidential term. young voters told me they want to send a message to beijing that taiwan is nothing like china. in china, you cannot stand for your rights on the street and the way to express our opinion, we can vote for president. we can have many, many different voices, no matter if you support the government or not, but in china it can get you only one voice. only one voice. there is nothing only one voice. there is nothing like only one voice. there is nothing like this - only one voice. there is nothing like this in - only one voice. t
judi dench, welcome to this cultural life. thank you, john. you were born in 193a and grew up in york. set the scene for us. what was family life like? my father was a doctor. ..and i had two brothers, older than me. and of course, at that time, no television, nothing like that. so we all had bikes and we made our own entertainment. my second brother, jeff, only ever wanted to be an actor. my oldest brother wanted to be a doctor, like dad, and i wanted to be a designer, scenic designer. that s what i set out to be. from a young age? from quite a young age, because we were taken to the theatre a lot, you know, we were taken to. i remember once going to see a cuckoo in the nest, and i laughed so. this couple was in bed and suddenly a chest at the end of the bed opened and a man stood up in vest and pants. and i was sick. i laughed so much, i was sick. my mother had to take me home. but the wonderful thing is that i was taken back a couple of nights later to see what happened. t
but there s one thing about them that could still be greener the way they re made and what they re made from. this is stilride one. it has one very unusual feature. its chassis is made from one piece of steel. all the curves, all the lines have been folded like origami, following a design by its creator tue beijer. with the curve folding, we dance with the metal. the reason is notjust about aesthetics. see, a typical scooter is assembled in special factories from more than 100 parts, and then it s shipped around the world. but for this bike, all that would need to be sent anywhere is the design. because a bike, if you would send a bike in a crate, you re shipping air. you don t want to ship air. whether you re in sweden, you re in england, you ll probably find sheet metal, right? so it s better to send the code rather than to send yourfinal product. that s a very, very efficient way to do it, you know? so you want to produce near the end customer. i ve been given permission
which is always been the case for people of color, journalists around the world, they are the only people who can talk about their humanity. so why that mainstream media complex is saying, we do not believe you. you are not telling the truth. nothing that they, say nothing that so when i see these people, when they raise their dead children before cameras, i have so much, it s got fronting. i ve been to palestine myself. i honestly look at them, and i start, i pray for them. and i look at them and say, no matter how hard you try, there is a larger media network that is going to look at your baby, those dead children, the way they look at the children and the people who i was helping in ukraine. until we do with the racial dynamic of what s at play here, be honest, it s not going to change. thank you, my friend. and reporter: independent journalist terrell jermaine starr s is independent journalist and founder of block diplomatic and has an official youtube channel for s