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Can the Oompa-Loompas Be Saved?

That’s a question filmmakers and writers have tangled with ever since the 1964 debut of the tiny, largely unpaid laborers in Roald Dahl’s beloved children’s book “Charlie and the Chocolate Factory.” In Dahl’s original, the Oompa-Loompas were starving African pygmies, subsisting largely on a mash of green caterpillars and tree bark until “rescued” by Willy Wonka. He smuggled the entire tribe out of Africa in packing crates to live and work, and sing and goof and dance, in the chocolatier’s factory. ....

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Can the Oompa-Loompas be saved? The evolution of Roald Dahl's character

Wonka is the latest film to try to shake the tiny unpaid labourers from their colonialist roots in Roald Dahl’s Charlie and the Chocolate Factory. What do we. ....

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Can 'Wonka' Save the Oompa-Loompas? - The New York Times

“Wonka” is the latest film to try to shake the tiny unpaid laborers from their colonialist roots in Roald Dahl’s “Charlie and the Chocolate Factory.” ....

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When the Writing Takes Over the Writer

Louise Fitzhugh author of
Harriet the Spy and James Merrill the poet were joined by friendship, craft, and graphomania: the compulsion to write.
Harriet the Spy, Louise Fitzhugh’s iconic 1964 novel, appears to be a book with an aspiring writer as its protagonist, but the writer is the vehicle for the actual main character: her notebook. Harriet’s notebook acts like the broom in “The Sorcerer’s Apprentice,” Goethe’s fable (made famous by Mickey Mouse in Walt Disney’s
Fantasia). The apprentice animates his broom to do his dirty work, but then he can’t turn off the spell. Like the apprentice’s broom, the notebook initially seems to be Harriet’s helper, a dutiful work of magic under the author’s control that helps the writer learn lots of titillating secrets yet the book soon dominates, the process itself becoming the story, the tool overtaking its master. At its core, then, Fitzhugh’s classic isn’t a novel about a budding writer it’s about th ....

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