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Kathryn Bigelow’s underappreciated “Strange Days” features a line that goes something like “The issue isn’t whether you’re paranoid. The issue is whether you’re paranoid enough.” Although that film is set in 1999, it’s an aphorism that would work equally well in Stéphan Castang’s fun, violent, high-concept “Vincent Must Die,” as a punchy summation of post-pandemic …

Joachim michaVimalas ponsKarim leklouKathryn bigelowJohn kacedMathieu naertMust dieRoman empireVincent must die