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Artdaily - The First Art Newspaper on the Net


The First Art Newspaper on the Net
 
by Antonia Gabassi
BERLIN
.- There’s an interesting story behind the curation of the latest exhibition at the Galerie Kornfeld, in the resurgent City West region of the German capital. The show is called ‘The Day I Never Met You’, and it is a billed as being a ‘conversation’ between the contemporary British artist Alexander Adams, and the late Georgian painter Natela Iankoshvili, whose estate is represented by the gallery. On first viewing one might assume that the painters were chosen because of their differences, rather than their similarities. Adams has renounced colour, painting in black, white and many shades of grey. Iankoshvili – who died in 2007 – loved applying broad brush-stokes of vibrant greens, yellows and blues on black-primed canvases. But when you look closely into the art and the artists, the similarities abound. Both apply themselves to landscapes and . More ....

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Portrait Power: Blue Star Contemporary revisits an age-old tradition with 'The Sitter'


Posted
By Bryan Rindfuss
on Wed, Jun 2, 2021 at 12:06 PM
click to enlarge
Carmen Cartiness Johnson,
The Octagon Room, 2021, Acrylic on canvas, 60 x 60”, Courtesy of the artist
Given that it’s as old as the hills, including the ones in ancient Egypt, portraiture might not seem like an apt vehicle to convey contemporary ideas. But the age-old tradition has evolved continuously  eschewing self-aggrandizing displays of power, wealth and beauty to become a wildly adaptable storytelling device.
“The most famous portraits have this static sense to them. The point of painting the portrait wasn’t necessarily presenting this huge, broader narrative,” explained Jacqueline Saragoza McGilvray, curator and exhibitions manager at Blue Star Contemporary. “But a lot of these portraits Dutch portraits, Eng ....

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