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The way that conservatives have operated, which is the politics of hate and hostility and division. We have seen that here in london in susan halls campaign, where she has joined facebook groups that incite against the labour candidate sadik khan, that is the politics of hate that this party, a Mainstream Party of government has allowed to happen, allowed to divide people in our country. That is not the politics that we want or need in our country. We need a country that has brought together, a hopeful country, where people are brought together and we work together, and that is the kind of leadership keir starmer and the labour party will practice, and we will work hard to bring people together, so that we can serve the british public s interest, not this narrow interest that the conservatives, the Self Serving Interests of the conservatives have shown in recent yea ....
New york city at the height of his career left new york, he thought it was a harsh and glib environment that did not support artists or their art, and what he created has inspired this whole other group of artists, writers, film makers, musicians to come and have a life here. the artists live and work at the museum, they have a studio space. jenny was one of those budding creative pilgrims, so impressed byjudd s work, she moved from new york to marfa with her young family. then there are these concrete blocks, judd s first works here, met with bemusement by many locals. some of the jokes were they look like culverts or cattle pens, and there was scepticism at first, but the local people who have come and walked on these pieces have a sense of belovedness towards them. ....
And the fake prada boutique is just a foretaste. we are on the outskirts of an unusual oasis of art in the once anonymous ranch town of marfa, that began life as a railroad stop. and marfa s transformation is largely down to the arrival in the 19705 of a leading artist from new york, the late donald judd. with this space and freedom, he created one of the world s largest installations of contemporary art. that an artist from new york city at the height of his career left new york, he thought it was a harsh and glib environment that did not support artists or their art, and what he created has inspired this whole other group of artists, writers, film makers, musicians to come and have a life here. the artists live and work at the museum, ....
Ranch town of marfa, that began life as a railroad stop. and marfa s transformation is largely down to the arrival in the 1970s of a leading artist from new york, the late donald judd. with this space and freedom he created one of the world s largest installations of contemporary art. that an artist from new york city at the height of his career left new york. he thought it was, as he wrote, a harsh and glib environment that did not support artists or their art, and what he created has inspired this whole other group of artists, writers, film makers, musicians to come and have a life here. the artists live and work at the museum, they have a studio space. jenny was one of those budding creative pilgrims, so impressed byjudd s work, ....
That began life as a railroad stop. and marfa s transformation is largely down to the arrival in the 1970s of a leading artist from new york, the late donald judd. with this space and freedom he created one of the world s largest installations of contemporary art. that an artist from new york city at the height of his career left new york, he thought it was a harsh and gloomy environment that did not support artists or their art, and what he created has inspired this whole other group of artists, writers, film makers, musicians to come and have a life here. the artists live and work at the museum, they have a studio space. jenny was one of those budding creative pilgrims, so impressed byjudd s work, she moved from new york to marfa with her young family. then there are these concrete blocks, judd s first works ....