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Thomas Couture’s The Romans of the Decadence (1847), from the collection of the Fogg Art Museum. (Photo by Art Media / Print Collector / Getty Images) Frederick Seidel is the poet laureate of the enlarged prostate. Most likely he would freely admit it, as the unruly gland appears more than once in the poet’s new Selected Poems, which distills 40 years of appetites shored against the indignities of age. If the lyric poet is traditionally working to “find his voice,” the volume outlines the trajectory of a poet who, with some effort, found his as the bard of perpetual midlife crisis. Seidel’s subjects are his lust for life and our disgust at his lust, and he glories in the dirty details: bespoke Caraceni suits from Milan, Patek Philippe watches, and the Ducati motorcycles that have become his signature. Above all, though, is his lust for lust. Intercourse is Seidel’s inexhaustible subject, from BDSM play to an octogenarian’s attempt to hit on the maître d’ at a Me

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