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PITE / SPIVEY / FORSYTHE Comes to Opera Ballet Vlaanderen in June

The furious One Flat Thing, Reproduced by the leading American choreographer William Forsythe opens with a loud roar. Like random ice floes, twenty tables fly forward and become a surface for a wild swarm of dancers.

Chamber Dance Company shifts focus, reimagines repertoire in return to stage

Chamber Dance Company shifts focus, reimagines repertoire in return to stage
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The Royal Ballet: 21st-Century Choreographers review – racing out of the blocks

Last modified on Wed 19 May 2021 06.46 EDT It is a statement of intent that the Royal Ballet’s first show back for 2021 is focused on living creators, not classics from the vaults. We’re starting afresh, and the dancers are full of hunger and finesse, diving into new vocabularies and ways of storytelling. Christopher Wheeldon’s well-loved Within the Golden Hour is a safe opener, with its twinkling costumes, the minimalist swell of Ezio Bosso’s score and the kind of dance you can melt into – in Francesca Hayward and Valentino Zucchetti’s serenely slow pas de deux you can almost hear your heartbeat decelerating. But the rest of the programme suggests artistic director Kevin O’Hare is interested in things beyond pure beauty.

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