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The Strad News - Unique wax cylinder recordings by Paganini's only pupil identified thestrad.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from thestrad.com Daily Mail and Mail on Sunday newspapers.
The Strad - From the mists of time: forgotten string players of the past thestrad.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from thestrad.com Daily Mail and Mail on Sunday newspapers.
Quartetto Ascanio explores Paganini's influence wtju.net - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from wtju.net Daily Mail and Mail on Sunday newspapers.
2021-05-25T21:36:00 Cuban-born violinist Joseph White’s 1875 debut with the Philharmonic Society of New York was both a triumph and enormously significant – as the orchestra’s first performance with a soloist of African descent. Yavet Boyadjiev explores the event itself and the circumstances surrounding it During the second half of the 19th century, the increasingly prosperous and cosmopolitan city of New York emerged as the leading cultural centre of the US. Dominated musically by German immigrants and hardly a step behind European capitals, the city established such first-rate musical institutions as the Academy of Music (1854), Steinway Hall (1866) and the Philharmonic-Symphony Society of New York (1842), staging the latest operas and performing up-to-date symphonic repertoire. Individual entrepreneurial promoters established a vibrant music scene with chamber music and solo recitals by major European soloists. Attracted by lucrative fees, violinists such ....
The musical riches contained in this unique collection go way beyond the normal parameters of popular memorabilia. This is due entirely to the astute thinking of the noted 19th-century collector of Cremonese violins, Eugène de Cessole (1805–76), whose autograph album is the focus of this handsomely produced tome. His distinguished guest list reads like a veritable Who’s Who of Romantic music – violinists especially – who were not only asked to sign their moniker in the normal way, but also invited to add a handwritten musical souvenir. These range from tantalising musical fragments lasting just a few bars – in the case of celebrated tenor Jean-Alexandre de Talazac, simply his trademark high C, annotated to be sung ‘with a real chest voice’ – to complete pieces. ....