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Theatre Review: 'Queens Girl: Black in the Green Mountains' by Everyman Theatre


Felicia Curry as Jacqueline Marie Butler
It is a long, LONG way from Queens to Nigeria, and from Nigeria to Vermont. Such is the series of journeys that form Caleen Sinnette Jennings’ Queens Girl trilogy of single-actor plays. Baltimore’s Everyman Theatre is now streaming the final entry in the series, “Queens Girl: Black in the Green Mountains,” directed by Associate Artistic Director Paige Hernandez and starring Felicia Curry.
By itself, this is a gorgeous piece of theater well worthy of one’s time. It is also a highly persuasive argument to see the other plays of the trilogy.
In the first two installments, we saw Jennings’ character, Jackie, transition from girlhood in New York to adolescence at the International School in Nigeria. There she endured more than just the typical fish-out-of-water ordeals, code-switching her way through a different world’s idea of the mid-1960s. As this installment begins, we find Jackie returning to the U.S., enrolled at ....

Green Mountains , United States , Jacqueline Marie Butler , Paige Hernandez , Caleen Sinnette Jenning , Caleen Sinnette Jennings , Erika Rose , Caleen Sinnette Jenning Queens Girl , Everyman Theatre , Associate Artistic Director Paige Hernandez , Jacqueline Marie , Queens Girl Trilogy , Dawn Ursula , Felicia Curry , பச்சை மலைகள் , ஒன்றுபட்டது மாநிலங்களில் , ஜாக்குலின் மேரி பட்லர் , பைஜ் ஹெர்னாண்டஸ் , எரிகா உயர்ந்தது , ஒவ்வொரு மனிதனும் திரையரங்கம் , இணை கலை இயக்குனர் பைஜ் ஹெர்னாண்டஸ் , ஜாக்குலின் மேரி , ராணிகள் பெண் முத்தொகுப்பு , விடியல் உர்சூல , ஃபெலிசியா கறி ,