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Montcello, you would have seen jeffersons neoclassical villa. But we wanted to restore the landscape of slavery. Because if you had come up this mountain top in jeffersons time, the first thing you would see most likely would have been enslaved people. There would have been no place on this mountain top slavery wasnt visible. And we want to restore that, make that known to visitors who come here today. So were now in the middle of recreating or restoring dwellings along mullberry row, that main plan tashz street. As well as rooms attached to the house just behind us. So all of this is part of an effort to sort of shift the focus away from just jefferson and talk about the dozens offing other people who essentially made his life possible. Right now were actually just near jeffersons main house, the pulaidian mansion he built throughout his life and were standing next to mullberry row which is the main plantation street, about 1,300 feet through archeology and documentary research. We kn
Montcello, you would have seen jeffersons neoclassical villa. But we wanted to restore the landscape of slavery. Because if you had come up this mountain top in jeffersons time, the first thing you would see most likely would have been enslaved people. There would have been no place on this mountain top slavery wasnt visible. And we want to restore that, make that known to visitors who come here today. So were now in the middle of recreating or restoring dwellings along mullberry row, that main plan tashz street. As well as rooms attached to the house just behind us. So all of this is part of an effort to sort of shift the focus away from just jefferson and talk about the dozens offing other people who essentially made his life possible. Right now were actually just near jeffersons main house, the pulaidian mansion he built throughout his life and were standing next to mullberry row which is the main plantation street, about 1,300 feet through archeology and documentary research. We kn
Montcello, you would have seen jeffersons neoclassical villa. But we wanted to restore the landscape of slavery. Because if you had come up this mountain top in jeffersons time, the first thing you would see most likely would have been enslaved people. There would have been no place on this mountain top slavery wasnt visible. And we want to restore that, make that known to visitors who come here today. So were now in the middle of recreating or restoring dwellings along mullberry row, that main plan tashz street. As well as rooms attached to the house just behind us. So all of this is part of an effort to sort of shift the focus away from just jefferson and talk about the dozens offing other people who essentially made his life possible. Right now were actually just near jeffersons main house, the pulaidian mansion he built throughout his life and were standing next to mullberry row which is the main plantation street, about 1,300 feet through archeology and documentary research. We kn
This evening we are joined by reed gutchberg. Well be presenting on her book useful objects museums science and literature in 19th century america. This evening we are joined by Reed Gochberg, and were talking about her book after a short introduction to the works she will be joining conversation with Sarah Giorgione. This examines the history of American Museums in the 19th century to the eyes of visitors and collectors. Museums of this period held a wide range of objects from botanical and specimens to antiquarian artifacts and technological models. They were intended to promote useful knowledge. The collections create better discussions about how objects are selected, preserving classified and who gets to decide their value. These reflections shape broader discussions about museum in American Culture and continue to resonate today. I Reed Gochberg is the assistant director of studies in a lecture on history and literature in harvard university. She has seminars and museums and mater