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In 'Wild Minds,' Reid Mitenbuler revisits the renegade era of cartooning


Scott Thomas Anderson December 31, 2020Updated: January 3, 2021, 5:25 pm
Leon Schlesinger, the producer who created Warner Brothers’ “Looney Tunes,” meets Porky Pig in the 1940 short film “You Ought to Be in Pictures.” Photo: Cartoon Research , Cartoon Research
In 1932, cinema screens were glowing with a Betty Boop cartoon called “I’ll Be Glad When You’re Dead, You Rascal You.” This animated dream of cannibalism debuted some of the first live-action footage ever of Louis Armstrong playing his trumpet, his crisp, quick solo rising to a clarion growl, his band bringing the swaggering swing that Betty starts moving her shoulders to.
For a decade leading up to that moment, cartoons and jazz were each emerging as original but subversive American art forms. The two were often married on film because they shared dangerous tones and a pension for rule-breaking. With his new book “Wild Minds: The Artists and Rivalries that Inspired the Golden Ag ....

New York , United States , Capitol Hill , Leon Schlesinger , Max Fleischer Betty Boop , Dave Fleischer , Elijah Craig , Walt Disney , Robert Smigel , Los Angeles , Otto Messmer , Max Fleischer , Betty Boop , Jerry Beck , Winsor Mccay , Scott Thomas Anderson , Reid Mitenbuler , Louis Armstrong , Todd Levine , Evan Williams , Atlantic Monthly , Cartoon Research Reid Mitenbuler , Atlantic Monthly Press Wild Minds , Fleischer Studios , Cartoon Research , Porky Pig ,