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Bloody Nose, Empty Pockets review: a bar's last stand


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Bloody Nose, Empty Pockets is in UK cinemas and on Curzon Home Cinema from 24 December.
There is a line in Pablo Neruda’s poem Keeping Quiet that goes: “What I want should not be confused with total inactivity. Life is what it is about; I want no truck with death.”
Bloody Nose, Empty Pockets, directed by the Ross brothers Bill and Turner, reflects this sentiment. It is a film about life, connections, pleasure and the stories we tell. In the Roaring ’20s, a dive bar somewhere in Las Vegas, an assortment of regulars assemble for the closing night. Over the course of an 18-hour stretch, decorations are hung, drinks flow, and a lively send-off rolls us intoxicatingly through the night. A hairy, cuddly barman jokes and plays Roy Orbison on his guitar; romantic chemistry and possibility hangs in the air; toasted revellers go out with a roar into the night. ....

United States , United Kingdom , Roy Orbison , Lowell Landes , Peggy Lee , Donald Sutherland , Las Vegas , William Eggleston , Michael Martin , Delmore Schwartz , Albert Maysles , Pablo Neruda , Bloody Nose , Empty Pockets , Curzon Home Cinema , Keeping Quiet , Bruce Hadnot , Dreams Begin Responsibilities , Percy Sledge , Come Softly , Les Blank , ஒன்றுபட்டது மாநிலங்களில் , ஒன்றுபட்டது கிஂக்டம் , ராய் ஆர்பிஸந் , லோவெல் நிலங்கள் , பெக்கி லீ ,