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Detailed text transcripts for TV channel - DW - 20190407:05:19:00

To each his own i m a cop saw him at the nazi concentration camp and who can put. created by inmate and former boss pupil fonda elish it uses the unmistakable dollhouse typeface despite the fact of the nazi regime denounced the school for its degenerate art and even pressured its leadership into closing the ball house in berlin off its head and in the official propaganda they rejected the bow house entirely it was considered to be bolshevist jewish monks has done everything the nazis deemed negative in banking business and auditing is most often what an officially that stance wasn t as clear the nazi saw the typical baal house functionality as a sign of progress and welcomed its new objectivity. and the artists how did the often guard of the bauhaus respond after nine hundred thirty three. to take have a one of the most influential boss teachers he create ....

Pupil Fonda , Cop Saw , Nazi Concentration Camp , Dollhouse Typeface , Ball House , Degenerate Art , Nazi Regime , Wasn T , House Functionality , Banking Business , Bolshevist Jewish Monks , Boss Teachers , Nine Hundred Thirty Three ,

Detailed text transcripts for TV channel - DW - 20190406:07:48:00

Functionality as a sign of progress and welcomed its new objectivity. and the artists how did the often guard of the bauhaus respond after nine hundred thirty three. to take. one of the most influential boss teachers he create a graphic design is on the universal typeface which became signatures of the ball house. but starting in one nine hundred thirty three by. began to create nazi propaganda designing catalogues and exhibitions which celebrated the ideology of racist doctrines of the third riteish. a t.v. series there were a film about house pupils and teaches who remained and were eager to continue receiving commissions in germany ones who then exhibited little of the bow houses reformist spirit and ethical principles did from coincidence a. nice find a hole was no exception in one nine hundred thirty four he joined gobos chamber of ....

Nine Hundred Thirty Three , Ball House , Graphic Design , Boss Teachers , Nazi Propaganda Designing Catalogues , House Pupils , Gobos Chamber Of Culture , Coincidencea Nice , Nine Hundred Thirty Four ,

Detailed text transcripts for TV channel - DW - 20190406:04:19:00

Former boss pupil funds and it uses the unmistakable boss typeface despite the fact that the nazi regime denounced the school for its degenerate art and even pressured its leadership into closing the bar house in berlin often said in the in the official propaganda they rejected the ban has entirely it was considered to be bolshevist jewish muxes and everything the nazis deemed negative in banking is not an auditing this must stop but an officially that stance wasn t as clear the nazis saw the typical bar house functionality as a sign of progress and welcomed its new objectivity. and the artists how did the guard of the bauhaus respond after nine hundred thirty three. to. take her about bio one of the most influential boss teachers he create a graphic design on the universal typeface which became signatures of the ball house. but starting in one nine hundred thirty ....

Bell House School , House In Berlin , Degenerate Art , Boss Pupil Funds , Boss Typeface , Nazi Regime , Wasn T , Bolshevist Jewish Muxes , Bar House Functionality , Nine Hundred Thirty Three , Ball House , Graphic Design , Boss Teachers ,

Detailed text transcripts for TV channel - DW - 20190406:20:48:00

Saw the typical bile house functionality as a sign of progress and welcomed its new objectivity. and the artists how did the guard of the bauhaus respond after nine hundred thirty three. to. take. one of the most influential boss teachers he create a graphic design on the universal typeface which became signatures of the ball house. but starting in one nine hundred thirty three by. began to create propaganda designing catalogues and exhibitions which celebrated the ideology and racist doctrines of the third rightish. there were a film about house pupils and teaches who remained and were eager to continue receiving commissions in germany ones who then exhibited little of the bow houses reformist spirit and ethical principles did from. respond to what was no exception ....

Contemporary Bauhaus , Nine Hundred Thirty Three , Ball House , Graphic Design , Boss Teachers , Propaganda Designing Catalogues , House Pupils ,