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The following story is co-published with Freddie deBoer’s Substack. In a controversy that makes me want to strap on a suicide vest, Taylor Swift is now feuding with MAGA world, or I guess they’re now feuding with her. This makes me very, very tired, but I do admit it’s a good vehicle for observing the ever-quickening decay of American empire. The story represents so much of the detritus of a broken culture: you’ve got the replacement of a nuthouse Jesus-is-coming right wing with a paranoiac and ....
The following story is co-published with Freddie deBoer’s Substack. The character pictured above is Hollywood Montrose from the film Mannequin. It’s a 1987 comedy, about a dreamer and artist played by Andrew McCarthy, who falls in love with a mannequin at the department store where he works, which is made more understandable (and yet even trickier) by the fact that said mannequin has been occupied by the spirit of an Ancient Egyptian woman who was rescued from an arranged marriage by the gods, ....
The following story is co-published with Freddie deBoer’s Substack. This is the second time I’ve written an updated version of a previous post; this one has been redone from scratch. If you read this column you’ve very likely already heard of effective altruism, or EA, the philosophy/community that’s concerned with performing charitable acts in a way that creates the most positive good for the most people. If not, here’s an explainer/endorsement from Dylan Matthews that’s a good introduction. If ....
The following story is co-published with Freddie deBoer’s Substack. I’m perpetually torn about the concept of “not for me,” the response to a given piece of art that suggests that there’s nothing necessarily deficient with it but rather that I myself don’t connect with it and that’s fine. On the one hand, I have experienced exactly that feeling so many times in life that I can’t doubt the utility of the concept. Ariana Grande’s music is not for me; the kind of fiction that James Wood likes is ....